with different lyrics, & you get the chorus more than once in a song – usually with the same words & the ‘hook’ (the thing you remember coz it just grooves), you only usually get one ‘bridge’. Whilst you get several verses – especially Bob Dylan…. Sex-Machine is not such a good example to listen to as there is little distinguishing the verse from the chorus, but when Brown says ‘Hit me now’, we certainly do go into a different chunk of song with new chords. However a ‘bridge’ is like a new chunk of song – as different as the verse & the chorus are from each-other. The intro & out-tro are also distinct chunks quite often based on the verse. Most songs have distinct chunks, Verse & Chorus being the most obvious. " Take it to the bridge"– says James Brown in Sex Machine - & he does. ![]() Similarly, when you go down again & end up on your starting note, keep going to see if there’s another component or two of your chosen arpeggio lower down. If you find you can’t hit the root again as your highest available note is the third or the fifth, don’t let that stop you from playing those notes. Start your arpeggio on the root of the arpeggio, so start on an ‘A’ for an A arpeggio. Arpeggios are usually played from the lowest root note on an instrument to the highest available & down again. The Tonic (or Root), the third ( minor or major) & the fifth. One day it could all just come your way in a Your favourite tracks! It's a great way of practicing your instrument.ĭo it first when the kids are out! If you don't seem to be playingĪnything decent, keep the faith & keep having a stab when ![]() the points though are as relevant to any other instrument. As the piano gives the best pictorial illustration of Intervals,Įtc.
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